So, what's in my hoops these days?
I'm back to working on two earlier art projects that have been in slight hibernation as I've been making gifts: The Tiny Great Curve self portrait and my Words project.
The Tiny Great Cuvre is mostly an experiment in texture stitching and using grades of similar color to make shapes around the curve of my hip. I've stitched and pulled out my stitching several times. As frustrating as that can be, it is OK because it is a learning process.
And despite the challenges of redoing the same curves over and over, I'm enjoying watching the shapes, color and textures form on my fabric. This piece is an image of me, just for me. And there is so much freedom in that.
The piles of words continues to grow in my boxes.
I was in Miami recently and saw (again) The Record exhibition at the Miami Art Museum. (It originated at the Nasher Museum of Art at Duke University, where I saw it in 2010.) The sketches of Japanese artist Taiyo Kimura gave me some ideas about how to organize the batch of 23 words I've been working on relating to color.
The number 23 has personal significance to me and bringing that number to these little scraps of fabric and the isolated words they contain has helped me see a pattern. And I love patterns! More to come with that.
In addition to these art projects, I have sketchbooks filled with ideas. And I have the summer to play with them. This is exciting to me. Headed to Austin tomorrow to spend time with my brother's family, including my two teenaged nephews Kels and Hudson.
I will be out in the world stitching and collecting ideas and connecting to the people I meet, but new and old. And my hoops with fill up even more. As will my heart.
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| Stitching other people's words and handwriting inspires me. |
I'm back to working on two earlier art projects that have been in slight hibernation as I've been making gifts: The Tiny Great Curve self portrait and my Words project.
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| Tiny Great Curve on my lap. |
The Tiny Great Cuvre is mostly an experiment in texture stitching and using grades of similar color to make shapes around the curve of my hip. I've stitched and pulled out my stitching several times. As frustrating as that can be, it is OK because it is a learning process.
 |
| Detail. I will fill it up with luminous chain stitch in grays and purples. |
And despite the challenges of redoing the same curves over and over, I'm enjoying watching the shapes, color and textures form on my fabric. This piece is an image of me, just for me. And there is so much freedom in that.
 |
| Box of flosses and thread for the Tiny Great Curve. |
The piles of words continues to grow in my boxes.
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| I was unsure how to approach my beloved word piles until Miami. |
I was in Miami recently and saw (again) The Record exhibition at the Miami Art Museum. (It originated at the Nasher Museum of Art at Duke University, where I saw it in 2010.) The sketches of Japanese artist Taiyo Kimura gave me some ideas about how to organize the batch of 23 words I've been working on relating to color.
 |
| Focusing on 23 words for colors. |
The number 23 has personal significance to me and bringing that number to these little scraps of fabric and the isolated words they contain has helped me see a pattern. And I love patterns! More to come with that.
 |
| Relaxed, free, Summertime me, back from Miami and ready for new adventures. |
In addition to these art projects, I have sketchbooks filled with ideas. And I have the summer to play with them. This is exciting to me. Headed to Austin tomorrow to spend time with my brother's family, including my two teenaged nephews Kels and Hudson.
I will be out in the world stitching and collecting ideas and connecting to the people I meet, but new and old. And my hoops with fill up even more. As will my heart.